But by the fourth session, everyone had made good progress and was able to draw pictures that rivaled traditional art. For the more experienced artists, it was much harder to get used to using the pen to draw digitally compared to paper. ![]() Some of our animators had never tried drawing digitally before, so we started from getting them used to the computer. We held ten digital keyframe drawing lessons where our animators could take their time to get used to drawing on the computer. Clip Studio Paint has a very affordable price point, which meant we could provide copies to more people. We had to think about the price of a single copy before making a bulk purchase for our entire company. Price was also an important consideration. Artist tips and tutorials are available on Celsys’ web service “Clip Studio TIPS.” These tutorials appealed to us as a way to quickly discover the possibilities of the software and to find solutions. Celsys responded to our questions helpfully and clearly, so we weren’t worried at all when it came to using the software for work.Ĭlip Studio Paint is used in many professional contexts for illustration and comics as well as animation. We ended up reaching out to the support desk quite a few times. None of us were familiar with digital techniques, so we decided to go with Celsys, a Japanese company, so we could get in-depth advice and support. We also love the amount of customization that the program allows for.īecause we were introducing new digital techniques, the degree of post-purchase support was very important to us. ![]() Clip Studio Paint appealed to us because of its variety of brushes meant we had a strong chance of recreating the exact feel that we were looking for. It’s really important for us to have access to a wide range of brushes and be able to recreate the warmth of paper. The quality and functionality of art software has also improved considerably since we started producing animation. These problems were solved when they switched to working digitally. This is what made us want to try introducing digital technology as soon as we could.Īnother thing that motivated us is that in the past, we’ve had cases where animators have moved far away, costing us a lot of time and money to have the physical artwork sent to us. We often outsource keyframes and animation for “Chibi Maruko-chan,” so we needed to be able to deal with a digital workflow. However, as digital techniques become more and more popular, we realized that we wouldn’t be able to keep moving forward with traditional techniques alone. We’ve always focused on traditional techniques because we love the feel of hand-drawn animation.
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